Good evening, followers! The word of the week is "advise," as in to inform or give advice. It was actually a Middle English word used in the 14th century from Anglo-French word "aviser," which came from the word "avis," meaning "opinion." It makes sense; some people often advise others with their opinions, not necessarily facts.
Today's topic, my friends, is decisions. We all have problems and each problem has some form of solution. Every character is different, therefore their decision-making processes will be different. While I like to pace when I'm thinking and ask others for help, a character of mine would rather make a guess based on what he knows and make his own mistake than dare ask anyone for help. Getting a grip on your character's thought process (especially if the story is in first-person) is very important for writing an understandable and realistic novel.
After you get a good-enough idea of how your character's mind works, it will seem like they're practically making the decisions on their own. It just takes some ground work! Really explore through your character's head and they'll start working on their own.
Well that's all for today, bloggers! I hope you enjoyed today's post. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: How do you and your characters go about making decisions?
A writing blog to keep aspiring writers inspired and motivated.
Thursday, August 26, 2010
Sunday, July 25, 2010
Remind Me To Write That Down!
Good afternoon, followers! The new word of the week is chary, which means heavily cautious or hesitant about dangers and risks. It can also mean slow to gain or give. It comes from the Middle Ages, when "chary" meant "sorrowful," dating back to the Old English version of the word, "caru" (an early form of "care," and another word that originally meant "sorrow"). Wow! I guess even the word for sorrow had a sad beginning/origination.
Anyway, today's blog post is about lists. You may be thinking, "Lists? What does that have to do with writing?" But it does! Not only is writing a list, well, writing, but it also helps you to formulate thoughts and get inspiration. I make tons of lists in my writing journal: likes, dislikes, things to do, memorable events (sad, happy, tragic, etc.), everything. It can be about anything. You can even write a list in the form of your character to get to know them better and see what they might think about.
Here's a sample list. I wrote about things I like.
Sleeping in darkness
Bubble baths
The beach
Tea with honey
Music
Singing, especially in the shower
The color purple (not the play)
Theater (Drama Club and Broadway)
Writing – fiction
Making cards
Using colorful pens
Making people laugh and smile
Flowers – scent and appearance
Traveling
Spring
Eating seafood
Dressing up and wearing jewelry
Dessert, especially chocolate
Sunshine
Dark chocolate
Maraschino cherries
Licking cake/cookie/brownie batter
Chips Ahoy in the microwave
Romantic movies and novels
Penguins
Star-gazing
Harvest moons
Getting a back rub or foot massage
Organization
Calm
Evening
The Sun
White clouds
The daytime
The sound of crickets at night
Watching a thunderstorm
Stars
Blue
Nature
My bedroom
Warmth
You should also include the date, since sometimes you can look back and be like "Oh, I might have been thinking with this in mind because this happened that day." Certain events put people, as well as characters, in different moods. People's thoughts also change often, sometimes each day, so it's interesting to look back on old lists. Maybe a year from now I'll think the sound of crickets chirping is annoying. Perhaps there's an event that caused me to think that way, like I was bit by a cricket or something (I'm not sure if that's possible, but bear with me here). Throughout the story, your characters develop and, although they may think the same way, they could have very different beliefs than when the story began. It's kind of like watching your character grow up.
Well that's all for today, bloggers! I hope you enjoyed today's post. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you make lists? Either for writing or for other things in life?
Anyway, today's blog post is about lists. You may be thinking, "Lists? What does that have to do with writing?" But it does! Not only is writing a list, well, writing, but it also helps you to formulate thoughts and get inspiration. I make tons of lists in my writing journal: likes, dislikes, things to do, memorable events (sad, happy, tragic, etc.), everything. It can be about anything. You can even write a list in the form of your character to get to know them better and see what they might think about.
Here's a sample list. I wrote about things I like.
Sleeping in darkness
Bubble baths
The beach
Tea with honey
Music
Singing, especially in the shower
The color purple (not the play)
Theater (Drama Club and Broadway)
Writing – fiction
Making cards
Using colorful pens
Making people laugh and smile
Flowers – scent and appearance
Traveling
Spring
Eating seafood
Dressing up and wearing jewelry
Dessert, especially chocolate
Sunshine
Dark chocolate
Maraschino cherries
Licking cake/cookie/brownie batter
Chips Ahoy in the microwave
Romantic movies and novels
Penguins
Star-gazing
Harvest moons
Getting a back rub or foot massage
Organization
Calm
Evening
The Sun
White clouds
The daytime
The sound of crickets at night
Watching a thunderstorm
Stars
Blue
Nature
My bedroom
Warmth
You should also include the date, since sometimes you can look back and be like "Oh, I might have been thinking with this in mind because this happened that day." Certain events put people, as well as characters, in different moods. People's thoughts also change often, sometimes each day, so it's interesting to look back on old lists. Maybe a year from now I'll think the sound of crickets chirping is annoying. Perhaps there's an event that caused me to think that way, like I was bit by a cricket or something (I'm not sure if that's possible, but bear with me here). Throughout the story, your characters develop and, although they may think the same way, they could have very different beliefs than when the story began. It's kind of like watching your character grow up.
Well that's all for today, bloggers! I hope you enjoyed today's post. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you make lists? Either for writing or for other things in life?
Sunday, July 18, 2010
Open Yours Eyes to Love
Good evening readers! Today I'm here to bring you the lovely topic of romantic-fiction (no pun intended, if you can find it).
Today's word of the day is venerate, meaning to idolize, honor with devotion, or worship something or someone. Sometimes people venerate the ones they love, which can show the depth of either their affection or their stalker tendencies. Anyway, onto the topic.
My inner hopeless romantic would simply enjoy reading a sappy love story with passionate kisses and a happy ending, but my inner writing would find that a terrible, terrible book. Despite the fact that many people read romance for, well, the romance, a romantic fiction novel needs to have all of the juicy goodies any other novel has: complex characters, a well-developed plot line, a setting for all of the interaction, and more. Romances aren't always about "boy meets girl" and there doesn't have to be a "happily ever after." Many novels also include romance a subplot, not wanting the entire novel to revolve around a romance, but also wanting to include it as a large part of their story. Let's face it: only the die-hard romance fans can stand reading a novel with a terrible plot and bad characterization, even if it is an overall romance.
Some people like reading "fluff"-like novels, ones that are sappy romances, but only if they are written well and have some substance to them. However, it's very hard to write a romance novel well without making it sound cliched. From the meet-up to the kiss scene, it's hard not to make everything sound completely stereotyped and incredibly corny. Even romance fans will groan at the appearance of yet another overused plot line or a typical character. No one wants to read a repeat of a book, even if it was good. Some writers will make a relationship progress way too quickly, just to get to the "good part," which I suppose varies for each person.
But don't get me wrong, there are some romance novels with a great use of language. There have been a few romance books that made me laugh out loud, brought me to tears, or both! The caliber of a romance novel depends not only on the writer but on the reader's taste, as does any novel. Don't think of a romance novel as a different concept entirely. It's just a different genre, like how every other type of novel falls into a genre. They're all in the same category; they're just different species. Take care when writing your romance, keep an eye out for overused plots/characters/phrases and avoid cliches, but overall, try to include some unique, creative spice into your romance. As long as you do that and follow any other techniques for writing a well-written novel, you'll be more than ready.
That's all for tonight, writers! I'm exhausted, but I hope you enjoyed today's post. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you like to read/write romance? Why or why not?
Today's word of the day is venerate, meaning to idolize, honor with devotion, or worship something or someone. Sometimes people venerate the ones they love, which can show the depth of either their affection or their stalker tendencies. Anyway, onto the topic.
My inner hopeless romantic would simply enjoy reading a sappy love story with passionate kisses and a happy ending, but my inner writing would find that a terrible, terrible book. Despite the fact that many people read romance for, well, the romance, a romantic fiction novel needs to have all of the juicy goodies any other novel has: complex characters, a well-developed plot line, a setting for all of the interaction, and more. Romances aren't always about "boy meets girl" and there doesn't have to be a "happily ever after." Many novels also include romance a subplot, not wanting the entire novel to revolve around a romance, but also wanting to include it as a large part of their story. Let's face it: only the die-hard romance fans can stand reading a novel with a terrible plot and bad characterization, even if it is an overall romance.
Some people like reading "fluff"-like novels, ones that are sappy romances, but only if they are written well and have some substance to them. However, it's very hard to write a romance novel well without making it sound cliched. From the meet-up to the kiss scene, it's hard not to make everything sound completely stereotyped and incredibly corny. Even romance fans will groan at the appearance of yet another overused plot line or a typical character. No one wants to read a repeat of a book, even if it was good. Some writers will make a relationship progress way too quickly, just to get to the "good part," which I suppose varies for each person.
But don't get me wrong, there are some romance novels with a great use of language. There have been a few romance books that made me laugh out loud, brought me to tears, or both! The caliber of a romance novel depends not only on the writer but on the reader's taste, as does any novel. Don't think of a romance novel as a different concept entirely. It's just a different genre, like how every other type of novel falls into a genre. They're all in the same category; they're just different species. Take care when writing your romance, keep an eye out for overused plots/characters/phrases and avoid cliches, but overall, try to include some unique, creative spice into your romance. As long as you do that and follow any other techniques for writing a well-written novel, you'll be more than ready.
That's all for tonight, writers! I'm exhausted, but I hope you enjoyed today's post. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you like to read/write romance? Why or why not?
Sunday, July 11, 2010
I'm a Huge Fan of Yours!
Good evening, bloggers! Before I get started with today's topic, I'd just like to inform you that the word of the week is perfidious, an adjective meaning "treacherous," "faithless," or "disloyal." The actual Latin root of the word, "perfidus," means "faithless." Wow!
Today's topic is fan fiction. There is a big debate when it comes to fan fiction: some love it, while others hate it. Some find it helpful for gaining writing experience, while others think it's a waste of time. Personally, I think it's fun to read, but this isn't a blog on my personal opinion. This is a blog on information, and that's what you're going to get.
For years, people have extended the joy of a good book, band, movie, play, or game, by using the pre-existing characters from that entertaining past time and creating stories with them. The name comes from the fact that they, the fans, are creating fiction on their favorite past-times. Whoa!
Pro: For starters, it's a great way for someone to stick their toe into the writing field. Instead of starting out with the whole deal, having to create the characters AND the plot AND the world they live in, fan fiction gives the new writer an template of characters and settings to use, subplots to dive into, that way they only have to mix them around and mold them into something new, rather than starting from scratch. It's a lot easier for many people to write fan fiction than original fiction. After all, everything's all set; all you have to do is set the formulated characters on a new adventure.
Con: However, some people, like myself, find it harder to write fan fiction than original fiction, since they find it hard to get into the characters' heads. When you're writing your own story, you need to get inside the character's head in order to learn his personality and learn what he would do in certain situations. In fan fiction, there's an extra step. You have to step into the author's head so you can understand and step into his or her character's head. Some people write fan fiction without playing the character very well, but as a perfectionist, I prefer to do it right or not do it at all.
Pro: Some authors/creators/imagineers find it flattering that fans would create fiction based on their original works. They take it as a compliment.
Con: Others think of it as stealing. Think about it: Would you want someone publishing a story about the characters you worked so hard on? It's like they took the easy way out. That could be YOU with the published new book. Even though fan fiction is hardly ever published, people still post it online on different websites, such as Fan Fiction.net and Live Journal.
Pro and Con: Some authors become such great writers from the frequent practice and they can't get out of the habit of writing fan fiction. I find so many stories online that I can't help but think, "This is amazing! If only he or she changed the character names, this would be an original story!" Not only are some fan fiction pieces extremely well written, but the settings and characters get molded so much that they become completely new people. It really helps people discover their own writing style with the easy practice.
Con: It's really sad that amazing authors get stuck in the habit of writing fan fiction when they could be doing so much more.
Pro: It helps people create a name for themselves. If you're popular enough in the world of fan fiction, it's much easier to get a fan base once you hop onto original fiction. For example, Sarah Rees Brennan started out in Harry Potter fan fiction, then wrote her own original novel trilogy with a ready-made fan base of people continued to love her writing after reading her fan fiction.
Con: Some publishers will refuse to support an author that posts work online, as if part of them is already published to Live Journal or other sites, their work being seen for free instead of published. Even if it's fan fiction, publishers dislike the fact that a prospective published author is posting his work online, and thus will not publish his original fiction if and when he ever starts writing it. It can be a big road block for aspiring published authors. This happens a lot more for people who publish their original fiction online than it does for fan fiction, but some publishers just dislike it.
In the end, fan fiction has its pros and cons. It's up to you to make the decision, I just supply the facts.
That's all for tonight, writers! I'm exhausted, but I hope you enjoyed today's post. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you read or write fan fiction? Why or why not?
Today's topic is fan fiction. There is a big debate when it comes to fan fiction: some love it, while others hate it. Some find it helpful for gaining writing experience, while others think it's a waste of time. Personally, I think it's fun to read, but this isn't a blog on my personal opinion. This is a blog on information, and that's what you're going to get.
For years, people have extended the joy of a good book, band, movie, play, or game, by using the pre-existing characters from that entertaining past time and creating stories with them. The name comes from the fact that they, the fans, are creating fiction on their favorite past-times. Whoa!
Pro: For starters, it's a great way for someone to stick their toe into the writing field. Instead of starting out with the whole deal, having to create the characters AND the plot AND the world they live in, fan fiction gives the new writer an template of characters and settings to use, subplots to dive into, that way they only have to mix them around and mold them into something new, rather than starting from scratch. It's a lot easier for many people to write fan fiction than original fiction. After all, everything's all set; all you have to do is set the formulated characters on a new adventure.
Con: However, some people, like myself, find it harder to write fan fiction than original fiction, since they find it hard to get into the characters' heads. When you're writing your own story, you need to get inside the character's head in order to learn his personality and learn what he would do in certain situations. In fan fiction, there's an extra step. You have to step into the author's head so you can understand and step into his or her character's head. Some people write fan fiction without playing the character very well, but as a perfectionist, I prefer to do it right or not do it at all.
Pro: Some authors/creators/imagineers find it flattering that fans would create fiction based on their original works. They take it as a compliment.
Con: Others think of it as stealing. Think about it: Would you want someone publishing a story about the characters you worked so hard on? It's like they took the easy way out. That could be YOU with the published new book. Even though fan fiction is hardly ever published, people still post it online on different websites, such as Fan Fiction.net and Live Journal.
Pro and Con: Some authors become such great writers from the frequent practice and they can't get out of the habit of writing fan fiction. I find so many stories online that I can't help but think, "This is amazing! If only he or she changed the character names, this would be an original story!" Not only are some fan fiction pieces extremely well written, but the settings and characters get molded so much that they become completely new people. It really helps people discover their own writing style with the easy practice.
Con: It's really sad that amazing authors get stuck in the habit of writing fan fiction when they could be doing so much more.
Pro: It helps people create a name for themselves. If you're popular enough in the world of fan fiction, it's much easier to get a fan base once you hop onto original fiction. For example, Sarah Rees Brennan started out in Harry Potter fan fiction, then wrote her own original novel trilogy with a ready-made fan base of people continued to love her writing after reading her fan fiction.
Con: Some publishers will refuse to support an author that posts work online, as if part of them is already published to Live Journal or other sites, their work being seen for free instead of published. Even if it's fan fiction, publishers dislike the fact that a prospective published author is posting his work online, and thus will not publish his original fiction if and when he ever starts writing it. It can be a big road block for aspiring published authors. This happens a lot more for people who publish their original fiction online than it does for fan fiction, but some publishers just dislike it.
In the end, fan fiction has its pros and cons. It's up to you to make the decision, I just supply the facts.
That's all for tonight, writers! I'm exhausted, but I hope you enjoyed today's post. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you read or write fan fiction? Why or why not?
Sunday, June 27, 2010
I have returned!
Hello, followers! Sorry for my leave of absence, but now that I'm on summer break, I have a great deal more of free time to devote to the blog (as well as my writing in general).
This week's word is scuttlebutt, a noun that means, basically, a rumor. It's a fun word to say and it was originally said by sailors. Cool!
Okay, so today's topic is setting the mood. Now, unlike being moody, you don't want the emotions in your story to be all over the place. You want to have a certain scene feel a certain way, then create the mood to make the reader feel the same. If you have a spooky setting, you can't suddenly be using happy, rainbow-and-unicorn adjectives (unless, perhaps, you're writing a comedy). I'll give you an example.
Time was running out. The cuddly little troll ran after me with his adorable knife in the beautiful night. The dozen red roses lining the trees tickled my sides with their thorns.
See? Bad idea. If this is supposed to be scary, why is the troll so cute? Let's try revamping it, shall we?
Time was running out. The troll growled as he rushed after me, raising its bloodied knife to me as its feet slammed against the grass. The ominous night sky made it difficult to run through the dark forest and pointed thorns frequently scratched at my skin.
Do you see how different this scene is from the previous one? It's all in creating the mood; just by changing the choice of words, you can create a totally different atmosphere. If you're writing a horror, use disgusting, grotesque words. If you were writing a romance, you wouldn't use those same disgusting, grotesque words (unless the main character is dating a bum. Aw.). You would use softer words to describe things, creating a dreamier, more romantic mood. Sad scenes should use more depressing words.
Well that's all for tonight! Keep checking back for new posts! :)
This week's word is scuttlebutt, a noun that means, basically, a rumor. It's a fun word to say and it was originally said by sailors. Cool!
Okay, so today's topic is setting the mood. Now, unlike being moody, you don't want the emotions in your story to be all over the place. You want to have a certain scene feel a certain way, then create the mood to make the reader feel the same. If you have a spooky setting, you can't suddenly be using happy, rainbow-and-unicorn adjectives (unless, perhaps, you're writing a comedy). I'll give you an example.
Time was running out. The cuddly little troll ran after me with his adorable knife in the beautiful night. The dozen red roses lining the trees tickled my sides with their thorns.
See? Bad idea. If this is supposed to be scary, why is the troll so cute? Let's try revamping it, shall we?
Time was running out. The troll growled as he rushed after me, raising its bloodied knife to me as its feet slammed against the grass. The ominous night sky made it difficult to run through the dark forest and pointed thorns frequently scratched at my skin.
Do you see how different this scene is from the previous one? It's all in creating the mood; just by changing the choice of words, you can create a totally different atmosphere. If you're writing a horror, use disgusting, grotesque words. If you were writing a romance, you wouldn't use those same disgusting, grotesque words (unless the main character is dating a bum. Aw.). You would use softer words to describe things, creating a dreamier, more romantic mood. Sad scenes should use more depressing words.
Well that's all for tonight! Keep checking back for new posts! :)
Thursday, April 8, 2010
Quick Post!
I know you all weren't expecting a post today (it's only Thursday, after all). I was just posting a quick note to let you guys know that I have been entered into a poetry contest on Daily Writing Tips' website. If you could vote for my poem here (only if you like it, of course), I would appreciate it. =] Thanks a lot, and see you Sunday!
Sunday, March 28, 2010
Publication For All (I Wish!)
Good evening, readers! Today's word of the week, forte is brought to you by Penelope Paige. Someone's forte is his or her strong point. In Italian, forte actually means "strong," so it makes sense (and you pronounce the word the same way in both languages). When the English borrowed the word from the French in the 1700s, it referred to the sharpest/stronger part of the sword's blade in fencing.
Next week I have a very fun post for you on writing horror stories with newly obtained information I received today and yesterday at the I-Con convention, a place where geeks all over the nation gather to discuss awesome things. I'm sorry to say that this week's post will be shorter and less awesome than usual, but I just got home from the 3-day I-Con convention and I'm tired. But next week's post will be awesome, pinky promise (that is, if my parents allowed me online on Easter). Anyway, on to the topic.
Networking! This is something that I also learned a lot about at I-Con. One of the YA authors, Sarah Beth Durst (writer of many fantasy novels, the newest one being "Ice"), spoke to me today about getting connections. There are are many exceptional authors that never get published, and if they do, never get recognized because they don't know the right people. Their work can be sitting at the bottom of the query pile because they don't have the priority. She said that although writing takes skill, getting published is mostly related to luck and knowing someone in the business. The Quill, for example, is a way to network and branch out and I predict it will be a great resource once it really sets off.
However, you can get lucky like Durst did. She went the traditional route to publication: sending out queries to publishers until one of them finally picked her story up. Now she has multiple books out on the market! Luck and networking is the key to publication. Go to different message boards, talk to people at conventions.
One final warning: If a publisher wants YOU to pay THEM, it's a scam. Durst told me that they're just trying to take money from you. The publisher makes money when your book sells, so they'll pay YOU to publish your novel.
Durst also mentioned that it's extremely difficult to live on just your writing, since you don't get that much per book and not many authors have merchandise or anything. Unless you're J.K. Rowling, don't quit your day job.
That's all for tonight, writers! I'm exhausted, but I hope you enjoyed today's post. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Have you ever been published? Do you have any methods of networking?
Next week I have a very fun post for you on writing horror stories with newly obtained information I received today and yesterday at the I-Con convention, a place where geeks all over the nation gather to discuss awesome things. I'm sorry to say that this week's post will be shorter and less awesome than usual, but I just got home from the 3-day I-Con convention and I'm tired. But next week's post will be awesome, pinky promise (that is, if my parents allowed me online on Easter). Anyway, on to the topic.
Networking! This is something that I also learned a lot about at I-Con. One of the YA authors, Sarah Beth Durst (writer of many fantasy novels, the newest one being "Ice"), spoke to me today about getting connections. There are are many exceptional authors that never get published, and if they do, never get recognized because they don't know the right people. Their work can be sitting at the bottom of the query pile because they don't have the priority. She said that although writing takes skill, getting published is mostly related to luck and knowing someone in the business. The Quill, for example, is a way to network and branch out and I predict it will be a great resource once it really sets off.
However, you can get lucky like Durst did. She went the traditional route to publication: sending out queries to publishers until one of them finally picked her story up. Now she has multiple books out on the market! Luck and networking is the key to publication. Go to different message boards, talk to people at conventions.
One final warning: If a publisher wants YOU to pay THEM, it's a scam. Durst told me that they're just trying to take money from you. The publisher makes money when your book sells, so they'll pay YOU to publish your novel.
Durst also mentioned that it's extremely difficult to live on just your writing, since you don't get that much per book and not many authors have merchandise or anything. Unless you're J.K. Rowling, don't quit your day job.
That's all for tonight, writers! I'm exhausted, but I hope you enjoyed today's post. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Have you ever been published? Do you have any methods of networking?
Sunday, March 21, 2010
“The first draft reveals the art, revision reveals the artist” - Michael Lee
Good morning, writers! Penelope here, writing to get you out of bed on this beautiful Sunday morning! Before we get started, this week's word is glower., which basically means "a stare of anger or annoyance." It looks like it would sound like "glow-er" but it really has the vowel sound of "cow." Back in the Middle Ages, it uses to mean "a look of astonishment or amazement" but in the late 1700s, it started using today's meaning concerning anger.
I know when you all saw the title of today's post, you groaned. The truth is, almost all of us hate revisions, but in reality, revisions is what honestly makes the novel. I've been doing revisions on my story lately and I've almost completely changed a character's personality and interactions with one of my major characters. It's not like it's a random change; my minor character has just been misunderstood and I finally see the true side of him after reading over my story. I'm even considering changing the ending after this discovery, as his personality is finally seen fully by the reader at the end. Revisions, although time constraining, really make your novel the best it can be. If we all sent our first drafts to be queried, none of us would ever get published.
So the next time you look at the word "revisions," don't stick your tongue out in disgust. Just nod, because you'll know that although, to me, one of the hardest parts of writing a novel, it's the most rewarding.
That's all for today, writers! Have a good day! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: How do you feel about revisions?
I know when you all saw the title of today's post, you groaned. The truth is, almost all of us hate revisions, but in reality, revisions is what honestly makes the novel. I've been doing revisions on my story lately and I've almost completely changed a character's personality and interactions with one of my major characters. It's not like it's a random change; my minor character has just been misunderstood and I finally see the true side of him after reading over my story. I'm even considering changing the ending after this discovery, as his personality is finally seen fully by the reader at the end. Revisions, although time constraining, really make your novel the best it can be. If we all sent our first drafts to be queried, none of us would ever get published.
So the next time you look at the word "revisions," don't stick your tongue out in disgust. Just nod, because you'll know that although, to me, one of the hardest parts of writing a novel, it's the most rewarding.
That's all for today, writers! Have a good day! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: How do you feel about revisions?
Sunday, March 14, 2010
I Give This Blog Five Stars!
Well, I would, but my opinion doesn't matter much. But anyway, I'm here to explain this fine afternoon about the art of critiquing others' writing. But first, let's start with the word of the week. This week's word is ominous, an adjective that foreshadows evil and often shows an omen. Back in the day, "ominous" didn't always mean "foreshadowing evil." Its original meaning was "presaging events to come" -- whether good or bad. Okay, onto the post!
A lot of authors who want to publish a novel, or even a small piece of poetry, often get their work critiqued first before sending it to someone in the business. For example, I have a beta working on my current novel right now. She tells me when a sentence sounds awkward or when one of my characters acts in an odd manner. She's awesome. That's what a good critic should do: tell you when something needs work.
If you want to critique someone, here are a few tips:
~Be honest, yet still polite: If something sucks, say so. If my character was turning into a Mary-Sue, I would want my beta to tell me. However, she's always kind with her tips, and sometimes she even makes me laugh. Don't make someone feel like a loser if they make a mistake; it's your job to help them correct the mistake, not mock them,
~Give critiques you wish you would receive: It's back to that "do unto others" theory. If you wish your last beta had told you about how 2-D your characters were, analyze the characters in the story you're critiquing. If you wished you had a thorough description of what the last person thought of your story, give the writer exactly what you thought of their work. Chances are, if you want it, they will want the same. Plus, no one wants harsh, rude criticism, but they want helpful criticism.
~Being a critic actually helps YOU too!: Believe it or not, giving someone else criticism means you know what to look out for in your own work. If you see someone has an underdeveloped plotline, you'll be more aware of your own plot.
But sometimes, getting criticism can be a little tough. Like when Katze, another member considered me taking a few pages out of the beginning to skip to the action, I had been really against it since I worked hard on perfecting the beginning. However, I've been thinking and thinking about it more and more and I think I want to follow her advice. One main thing you have to do when taking criticism is take emotion out of the picture. I didn't want to keep those pages because they were any better than the rest, I just wanted to keep them because I had worked so hard on them and was annoyed that my work was "going to waste." However, I realize that I could still recycle those pages and use them as flashbacks and other useful things. Plus, I learned a lot about my main characters in those pages. No writing is ever wasted.
But, one little thing that always bugs me: say thank you. The beta/critic is taking a lot of time out of his or her busy schedule to help you. They're doing you a favor, just say that you appreciate their time and energy put forth into making your story better. If they did a good job, maybe you'll even want to help them with their work in return.
Make sure to know what you're looking for before the beta starts. If you have something specific you want the beta to look at, like poor description or awkward dialogue, say so. Otherwise, the beta might just pay attention to the work as a whole. It helps you and the beta, so be specific when possible.
That's all for today, writers! Have a good day! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Have you ever critiqued someone's work? What was it like for you?
A lot of authors who want to publish a novel, or even a small piece of poetry, often get their work critiqued first before sending it to someone in the business. For example, I have a beta working on my current novel right now. She tells me when a sentence sounds awkward or when one of my characters acts in an odd manner. She's awesome. That's what a good critic should do: tell you when something needs work.
If you want to critique someone, here are a few tips:
~Be honest, yet still polite: If something sucks, say so. If my character was turning into a Mary-Sue, I would want my beta to tell me. However, she's always kind with her tips, and sometimes she even makes me laugh. Don't make someone feel like a loser if they make a mistake; it's your job to help them correct the mistake, not mock them,
~Give critiques you wish you would receive: It's back to that "do unto others" theory. If you wish your last beta had told you about how 2-D your characters were, analyze the characters in the story you're critiquing. If you wished you had a thorough description of what the last person thought of your story, give the writer exactly what you thought of their work. Chances are, if you want it, they will want the same. Plus, no one wants harsh, rude criticism, but they want helpful criticism.
~Being a critic actually helps YOU too!: Believe it or not, giving someone else criticism means you know what to look out for in your own work. If you see someone has an underdeveloped plotline, you'll be more aware of your own plot.
But sometimes, getting criticism can be a little tough. Like when Katze, another member considered me taking a few pages out of the beginning to skip to the action, I had been really against it since I worked hard on perfecting the beginning. However, I've been thinking and thinking about it more and more and I think I want to follow her advice. One main thing you have to do when taking criticism is take emotion out of the picture. I didn't want to keep those pages because they were any better than the rest, I just wanted to keep them because I had worked so hard on them and was annoyed that my work was "going to waste." However, I realize that I could still recycle those pages and use them as flashbacks and other useful things. Plus, I learned a lot about my main characters in those pages. No writing is ever wasted.
But, one little thing that always bugs me: say thank you. The beta/critic is taking a lot of time out of his or her busy schedule to help you. They're doing you a favor, just say that you appreciate their time and energy put forth into making your story better. If they did a good job, maybe you'll even want to help them with their work in return.
Make sure to know what you're looking for before the beta starts. If you have something specific you want the beta to look at, like poor description or awkward dialogue, say so. Otherwise, the beta might just pay attention to the work as a whole. It helps you and the beta, so be specific when possible.
That's all for today, writers! Have a good day! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Have you ever critiqued someone's work? What was it like for you?
Sunday, March 7, 2010
"Either write something worth reading or do something worth writing." - Benjamin Franklin
Good afternoon, readers! Before I start off on today's topic, I would like to mention that this word of the week is suborn, a verb meaning to induce, persuade, or influence someone secretly to do an unlawful thing. It's often used in sentences about law, like someone being persuaded to committ perjury (that person is being suborned to committ perjury). It comes from a Latin word, ""subornare," which translates to "to secretly furnish or equip." There, wasn't that fun?
So today's topic is chapter titles. You know, those things before a chapter that nobody reads? It's a shame really, but many readers either ignore them because they're boring or just don't notice them at all. However, I love chapter titles. I think that they're fun, insightful ways to see what the upcoming chapter is going to be about. I've seen them done many different ways. Some are long (ex. chapters in the point of view of Jacob Black in Breaking Dawn by Stephenie Meyer), some are short ( like in the Harry Potter series by J.K. Rowling) Some have only numbers. Some novels don't have chapters at all, but mainly asteriks separating the main scenes (The Devil Wears Prada by Lauren Weisberger). I've seen novels that only use the name of the character of the point of view it's in (ex. in Nick and Norah's Infinite Playlist by Rachel Cohn and David Levithan, the chapters simply alternated by "1. Nick" and "2. Norah" and "3. Nick" etc.) However, creative chapter titles is a good way to keep your reader interested. After all, when you spot a captivating chapter title, it makes you want to keep reading. They can get a piblisher interested as well.
Every author does chapters differently, and many novels by a single author can have different styles of chapter titles. But the one main things that many of them (if not all) have in common is that they all relate to a main idea in the chapter. Some of them are broad, one word titles, and some are more specific, but they both relate to important aspects of the chapter.
Here are some hints that I've used or tried out in past chapters:
1. Reptition - Beginning each chapter with the same two words in a pattern can keep chapters entertaining. For example, you can have a novel with each chapter beginning with "Don't Forget to..." and then end with different words each time. It can keep things interesting.
2. Alitteration - Having alliteration in your chapters keeps your chapters flowing nicely, plus keeps them short and sweet. For example, one chapter can be "Daring Diasater" and another can be "Always Arrogant."
3. Clever and Humorous - Witty titles are a great way to catch a reader's attention, especially if it seems to be in the point of view of a witty character in the novel. For example, "How Not to Get Your Way" or "Don't Talk Back to Guys with Big Muscles." Keep it interesting.
4. Poems, Quotes or Song Lyrics - Having a brief quote or song lyric before a chapter is a great way of hinting what's going to happen in the chapter. You're welcome to use common or unrecognizable song titles as a chapter title (ex. Broken) but if you used a song title such as "Boulevarde of Broken Dreams," you might not be able to get away with that if the novel is published. You could also use a small portion of the quote as a title and include the full quote above.
5. Definition - Sometimes using definitions of words as a chapter titles can really work, depending on the story at hand. Or you could do something like, "Love: A 4-letter word that's impossible to define." Play around with it.
6. Language - I've seen novels where all the chapter titles are in a different language. Many of the words you can tell the meaning of in English, simply by how they look and sound, but it just keeps things a little spicy and special.
Remember: you don't have to be consistent! Sometimes changing things up can keep your reader (and you) entertained! Don't be afraid to mix things up!
The best advice I can give you is pay attention to what your story's about, the simple and the abstract things. For example, in Laurie Halse Anderson's Speak, she could have titled each chapter with something that the main character wanted to say, but couldn't because she was too scared. The best chapter titles really relate to the story. You know your story better than anyone else; use that power to your advantage.
That's all for today, writers! Have a good night! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you have a specific way to name your chapters? If so, what is it? If not, how do you name your chapters? Do you name them at all?
So today's topic is chapter titles. You know, those things before a chapter that nobody reads? It's a shame really, but many readers either ignore them because they're boring or just don't notice them at all. However, I love chapter titles. I think that they're fun, insightful ways to see what the upcoming chapter is going to be about. I've seen them done many different ways. Some are long (ex. chapters in the point of view of Jacob Black in Breaking Dawn by Stephenie Meyer), some are short ( like in the Harry Potter series by J.K. Rowling) Some have only numbers. Some novels don't have chapters at all, but mainly asteriks separating the main scenes (The Devil Wears Prada by Lauren Weisberger). I've seen novels that only use the name of the character of the point of view it's in (ex. in Nick and Norah's Infinite Playlist by Rachel Cohn and David Levithan, the chapters simply alternated by "1. Nick" and "2. Norah" and "3. Nick" etc.) However, creative chapter titles is a good way to keep your reader interested. After all, when you spot a captivating chapter title, it makes you want to keep reading. They can get a piblisher interested as well.
Every author does chapters differently, and many novels by a single author can have different styles of chapter titles. But the one main things that many of them (if not all) have in common is that they all relate to a main idea in the chapter. Some of them are broad, one word titles, and some are more specific, but they both relate to important aspects of the chapter.
Here are some hints that I've used or tried out in past chapters:
1. Reptition - Beginning each chapter with the same two words in a pattern can keep chapters entertaining. For example, you can have a novel with each chapter beginning with "Don't Forget to..." and then end with different words each time. It can keep things interesting.
2. Alitteration - Having alliteration in your chapters keeps your chapters flowing nicely, plus keeps them short and sweet. For example, one chapter can be "Daring Diasater" and another can be "Always Arrogant."
3. Clever and Humorous - Witty titles are a great way to catch a reader's attention, especially if it seems to be in the point of view of a witty character in the novel. For example, "How Not to Get Your Way" or "Don't Talk Back to Guys with Big Muscles." Keep it interesting.
4. Poems, Quotes or Song Lyrics - Having a brief quote or song lyric before a chapter is a great way of hinting what's going to happen in the chapter. You're welcome to use common or unrecognizable song titles as a chapter title (ex. Broken) but if you used a song title such as "Boulevarde of Broken Dreams," you might not be able to get away with that if the novel is published. You could also use a small portion of the quote as a title and include the full quote above.
5. Definition - Sometimes using definitions of words as a chapter titles can really work, depending on the story at hand. Or you could do something like, "Love: A 4-letter word that's impossible to define." Play around with it.
6. Language - I've seen novels where all the chapter titles are in a different language. Many of the words you can tell the meaning of in English, simply by how they look and sound, but it just keeps things a little spicy and special.
Remember: you don't have to be consistent! Sometimes changing things up can keep your reader (and you) entertained! Don't be afraid to mix things up!
The best advice I can give you is pay attention to what your story's about, the simple and the abstract things. For example, in Laurie Halse Anderson's Speak, she could have titled each chapter with something that the main character wanted to say, but couldn't because she was too scared. The best chapter titles really relate to the story. You know your story better than anyone else; use that power to your advantage.
That's all for today, writers! Have a good night! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you have a specific way to name your chapters? If so, what is it? If not, how do you name your chapters? Do you name them at all?
Sunday, February 28, 2010
What's Your Name Again?
Good evening, reader! It's Moon. Today's topic is going to be on naming your characters, but first let me start with the weekly Word of the Day (which I guess should be the "Word of the Week," huh?) This one is thaumaturgy, which is a noun referring to the performance of miracles, usually magic. (This makes me think of Harry Potter, tee hee. <3) It comes from a Greek word meaning "miracle working." There's also "thaumaturge" and "thaumaturgist," (nouns, meaning a both of which mean "a performer of miracles" or "a magician," ) and the adjective "thaumaturgic," (meaning "performing miracles" or "of, relating to, or dependent on thaumaturgy." Like most writers I know, I always want my characters to be detailed and 3-D. Sometimes I went on a baby naming site and looked up meanings to certain names. Though, then I realized that people in real life usually don't match their name, and that it's more important to be time-appropriate than personality-appropriate. After all, the parents didn't know what you would be like when they had you. I mean, "Penelope" is Greek and means "With a web over her face." That means nothing to me. Here are the main things to keep in mind when naming your characters (keep in mind that I embarrassed myself by breaking all of these to help share with you what I've learned):
1. Cultural and story context: A name usually reflects the culture and life of the character, sometimes the genre of the book as well. Aeon Daggercult would be great for a fantasy novel, but not for realistic fiction. People in the 1800s named their kids Martha and Hulda, but you wouldn't see someone with those names in present day. If a character has a Native American background that goes to a high school in New Jersey, his name won't be "Misty Rain" or "Big Bear." They've assimilated. His name might be John. His last name could be an Americanized last name too, but it could also be something from his culture.
* Just a quick note: If you're naming your character from another culture, be sure to do your research. Just because a name sounds like fun doesn't mean you should just name your character that off the bat. Look it up. It could be a boy's name instead of a girl's name. It could mean something completely offensive (You wouldn't name your kid Ass would you?) and the character wouldn't be taken seriously in his culture.
2. Keep the names to a minimum: I know some people have two middle names or five names, but just leave your characters alone. Even if you have a fantasy novel, your reader will just get confused or overwhelmed or just not take the character seriously if her name is "Misty Jessica Clefairy Winefred Humbleton." Not gonna happen. Keep it to two or three names, unless you really feel it's necessary to expand. And keep nicknames to a minimum too: you don't want to confuse your reader. If your character's name is Joseph, keep it to Joe or Joey (but if you have a more creative nickname, use that one, but don't use ALL of them).
3. Avoid stereotypes: This one should be obvious, guys. Seriously. If you have a story based around stellar, celestial things, please don't name your character Luna Moon. Please, I beg of you. You'll get laughed at. I, personally, will laugh at you. You don't want that; I have a very loud, obnoxious laugh.
4. Keep pronunciation in mind: So you don't want a bland name, that's fine. We all want names that our readers will remember and associate with our characters. However, out of desperation, don't name your character Fwejfoievnujsri, because even though that LOOKS awesome on the page of your fantasy/sci-fi novel, your reader will rip out the page in their anger and damn their tongues for all eternity.
5. Don't freak out: In all seriousness, a name is a name. If your character has an awesome, perfect name and a terrible, 2-D personality, you're character will still be unsatisfactory. Name, although important, shouldn't be at the top of your list. Work on learning about your character. You may even change his or her name after getting to know the character more. You can even refer to the character as "Girl" or "Boy" or "Awesome Guy" until you find a name you like. It's not the biggest deal in the world.
That's all for today, guys! Have a good night! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: How do you go about naming your characters?
Monday, February 22, 2010
Blog Award!
Good evening, followers! I bet you're wondering, What brings this weekly blogger to posting on a Monday? Well I'm glad you asked! Today is a very fun day, because in this post I'm announcing that Intent Forgotten is the winner of a blog award!
I was given the "Creative Writer" Blogger award by a fellow friend and writer, Jenna! Thanks so much! She is the admin of the Quill and Ink Forum that I moderate. Be sure to check it out!
Here are the rules of the Creative Writer Blogger Award
Nominate SEVEN “Creative Writers”
Post links to the SEVEN blogs you nominate.
Leave a comment on said SEVEN blogs to let them know they’ve been nominated.
So here are my outrageous statements! If you pick which one's the truth, you'll be my seventh nominee! Just post which answer you think it is here!
1. I sometimes pass out in the shower due to exhaustion and illness.
2. I hate sharing my school/art supplies. A pencil doesn't cost that much, but I don't let people borrow any of my supplies because I know I'll never get it back.
3. One time, since I kept tripping on ice, I waddled and slid on my stomach across the ice on my driveway, making it safely to school that morning.
4. I hate wearing shoes, so I usually just don't wear them.
5. I'm blue-purple colorblind officially, but I have more trouble with red and green.
6. I have three homemade tattoos. And they're awesome.
7. I've traveled all over the U.S. I've lived in more places than I can count.
Try to figure me out! Just comment on what you think the truth is and I'll make you the seventh nominee if you guess correctly first! I'll edit this post when someone gets the truth right.
And here are the nominees:
1. Hadhafang of Nodes of Ranvier
2. Emily Cross of The Chronicles of Emily Cross
3. Silent Midnight of Close Your Eyes; You're Entering the World of Words
4. Anne R. Allen of Anne R. Allen's Blog.
5. Kori of Author In Progress
6. Jess G of Snippets
7. The lucky person to guess my outrageous truth!
That's all for today (I can't spoil you guys)! Be sure to come back next Sunday for more writing goodies!
I was given the "Creative Writer" Blogger award by a fellow friend and writer, Jenna! Thanks so much! She is the admin of the Quill and Ink Forum that I moderate. Be sure to check it out!
Here are the rules of the Creative Writer Blogger Award
Nominate SEVEN “Creative Writers”
Post links to the SEVEN blogs you nominate.
Leave a comment on said SEVEN blogs to let them know they’ve been nominated.
So here are my outrageous statements! If you pick which one's the truth, you'll be my seventh nominee! Just post which answer you think it is here!
1. I sometimes pass out in the shower due to exhaustion and illness.
2. I hate sharing my school/art supplies. A pencil doesn't cost that much, but I don't let people borrow any of my supplies because I know I'll never get it back.
3. One time, since I kept tripping on ice, I waddled and slid on my stomach across the ice on my driveway, making it safely to school that morning.
4. I hate wearing shoes, so I usually just don't wear them.
5. I'm blue-purple colorblind officially, but I have more trouble with red and green.
6. I have three homemade tattoos. And they're awesome.
7. I've traveled all over the U.S. I've lived in more places than I can count.
Try to figure me out! Just comment on what you think the truth is and I'll make you the seventh nominee if you guess correctly first! I'll edit this post when someone gets the truth right.
And here are the nominees:
1. Hadhafang of Nodes of Ranvier
2. Emily Cross of The Chronicles of Emily Cross
3. Silent Midnight of Close Your Eyes; You're Entering the World of Words
4. Anne R. Allen of Anne R. Allen's Blog.
5. Kori of Author In Progress
6. Jess G of Snippets
7. The lucky person to guess my outrageous truth!
That's all for today (I can't spoil you guys)! Be sure to come back next Sunday for more writing goodies!
Sunday, February 21, 2010
"Girls Do What They Want, Boys Do What They Can!"
Good afternoon, fellow writers! Just to let you know, the title is a lyric from the song "Girls Do What They Want" by the Maine. Good song.
Before we move on to today's topic, let's begin with the word of the day. This week's is evanescent. I used to love the band, Evanescence, and I finally understand what their name means! Evanescent is an adjective meaning to vanish like vapor. It comes from the Latin verb "evanescere," which means "to evaporate" or "to vanish." Exciting, isn't it?
This week's topic is, not the writers, but the readers. I was reading something online awhile back about boys' and girls' preferences on what they want in a novel, the ages ranging around middle grade and early high school.
Here are a few interesting points I've discovered:
- Girls are more active readers than boys
- Girls prefer to read about girl protagonists (but will read about boy protagonists), but boys usually stick to strictly boy protagonists
- Both boys and girls want a character to root for and relate to, yet boys look for sarcastic characters with a sense of humor, while girls prefer a smart, reliable protagonist.
- Girls want a character who has to surpass real life problems, like tough decisions and friendship, but boys want a competitive, funny outlook for their character.
- Girls seem to enjoy stories with more emotional depth and creative solutions to problems, while boys prefer a clear-cut good vs. evil plot. Boys prefer an action-adventure novel, while girls prefer novels relating to real life.
Boys and girls, for the most part, have very different genres and storyline they like to read, so writing for both genders can be difficult. If you want to try to write a unisex novel, try:
- Creating characters they can relate to (ex. a similar age, similar challenges and issues for that age)
- A unique storyline (but whether it's fantasy or realistic fiction, still include experiences the reader can relate to. An adrenaline rush can be achieved by defeating the dragon or doing well in a high school recital.)
- It's easier to get a girl to read about a boy protagonist, but if you really want a girl protagonist for both genders, the girl has to be adventurous and have strong, realistic goals that a boy or girl could have. (A boy best friend can help, too).
That's all for today, faithful readers! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: What do you think about writing novels for both genders? Have you ever done it before? Or do you believe that most novels are easily fit for both boys and girls?
Check back tomorrow (Monday? A post? I know!) for a fun announcement. I'll give you a hint: It includes this blog, me, and a shiny award ;)
Before we move on to today's topic, let's begin with the word of the day. This week's is evanescent. I used to love the band, Evanescence, and I finally understand what their name means! Evanescent is an adjective meaning to vanish like vapor. It comes from the Latin verb "evanescere," which means "to evaporate" or "to vanish." Exciting, isn't it?
This week's topic is, not the writers, but the readers. I was reading something online awhile back about boys' and girls' preferences on what they want in a novel, the ages ranging around middle grade and early high school.
Here are a few interesting points I've discovered:
- Girls are more active readers than boys
- Girls prefer to read about girl protagonists (but will read about boy protagonists), but boys usually stick to strictly boy protagonists
- Both boys and girls want a character to root for and relate to, yet boys look for sarcastic characters with a sense of humor, while girls prefer a smart, reliable protagonist.
- Girls want a character who has to surpass real life problems, like tough decisions and friendship, but boys want a competitive, funny outlook for their character.
- Girls seem to enjoy stories with more emotional depth and creative solutions to problems, while boys prefer a clear-cut good vs. evil plot. Boys prefer an action-adventure novel, while girls prefer novels relating to real life.
Boys and girls, for the most part, have very different genres and storyline they like to read, so writing for both genders can be difficult. If you want to try to write a unisex novel, try:
- Creating characters they can relate to (ex. a similar age, similar challenges and issues for that age)
- A unique storyline (but whether it's fantasy or realistic fiction, still include experiences the reader can relate to. An adrenaline rush can be achieved by defeating the dragon or doing well in a high school recital.)
- It's easier to get a girl to read about a boy protagonist, but if you really want a girl protagonist for both genders, the girl has to be adventurous and have strong, realistic goals that a boy or girl could have. (A boy best friend can help, too).
That's all for today, faithful readers! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: What do you think about writing novels for both genders? Have you ever done it before? Or do you believe that most novels are easily fit for both boys and girls?
Check back tomorrow (Monday? A post? I know!) for a fun announcement. I'll give you a hint: It includes this blog, me, and a shiny award ;)
Sunday, January 31, 2010
It's a Plot...Within a Plot!
Good evening, fellow writers!
New favorite word of the week: triskaidekaphobia. Try to say that three times fast. In fact, try to say that at all. It's pronounced "triss-kye-dek-uh-FOH-bee-uh." Basically, it's the fear of the number thirteen (which, in some cultures, is considered an unlucky number). It's hard to say where 13's bad reputation came from. You can look to Christianity, Hindu beliefs, Norse mythology or superstition, but it's hard to tell for sure.
Anyway, today's topic is subplots! That's right, those extra smaller story lines that keep the reader, reading (besides the 3-D characters and awesome main plot, obviously). Maybe throughout the novel, your protagonist has to figure out who is stealing his or her shampoo. It could be the antagonist, or it could be someone else, who knows? Maybe at some point in the novel, a robbery takes place and your character has to prove himself innocent at times throughout the novel. Little events like that really make the novel, because, if you think about it, you life doesn't only have one main story in it, right?
They can connect to the main plot, helping the reader realize something subtly without having it thrown in their face. It might be a thread linking to a future event. Their impact can be indirect, or it can smack your character in the face (figuratively, but if your subplot involves literal smacking, that's okay too).
The subplot(s) should have some reason and connection to the main story. It can't just be for comic relief or to use up the previously-deleted scenes that you loved so much but didn't fit in before.
Subplots should take fewer pages than the main plot, and many are on-going, though some are short and can occur anywhere in the story. But one main difference between subplots and plots is that in subplots, not all of the events have to occur "on stage," if you will. Some of the events can happen "behind the scenes," and even if they aren't written in the final draft, the characters can still discuss the event, showing the reader that the event occurred without writing the whole scene out. This keeps valuable information in the novel and the less interesting information (that doesn't move the plot along) out of the final draft.
However, as much fun as subplots are, keep them to a minimum. Most novels can only support one to three subplots before your main plot just gets completely off-track and nothing is accomplished. It just leaves the whole story unorganized.
Three final words of advice on subplots:
1) They take place at the same time as the main story.
2) They stress and idea or play with an idea from the story to make it stick out, impacting the novel later on or drawing the reader's attention to it.
3) Impacts the end of the novel. (Now, it doesn't have to impact the resolution, but it is usually best if it has an ending that somehow affects the characters, at least a little. Granted, some subplots have more meaning than others, but it's always good to have some impact on the novel.)
That's all for the night!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you purposely create subplots for your writing, or do they just happen naturally as the story goes on?
New favorite word of the week: triskaidekaphobia. Try to say that three times fast. In fact, try to say that at all. It's pronounced "triss-kye-dek-uh-FOH-bee-uh." Basically, it's the fear of the number thirteen (which, in some cultures, is considered an unlucky number). It's hard to say where 13's bad reputation came from. You can look to Christianity, Hindu beliefs, Norse mythology or superstition, but it's hard to tell for sure.
Anyway, today's topic is subplots! That's right, those extra smaller story lines that keep the reader, reading (besides the 3-D characters and awesome main plot, obviously). Maybe throughout the novel, your protagonist has to figure out who is stealing his or her shampoo. It could be the antagonist, or it could be someone else, who knows? Maybe at some point in the novel, a robbery takes place and your character has to prove himself innocent at times throughout the novel. Little events like that really make the novel, because, if you think about it, you life doesn't only have one main story in it, right?
They can connect to the main plot, helping the reader realize something subtly without having it thrown in their face. It might be a thread linking to a future event. Their impact can be indirect, or it can smack your character in the face (figuratively, but if your subplot involves literal smacking, that's okay too).
The subplot(s) should have some reason and connection to the main story. It can't just be for comic relief or to use up the previously-deleted scenes that you loved so much but didn't fit in before.
Subplots should take fewer pages than the main plot, and many are on-going, though some are short and can occur anywhere in the story. But one main difference between subplots and plots is that in subplots, not all of the events have to occur "on stage," if you will. Some of the events can happen "behind the scenes," and even if they aren't written in the final draft, the characters can still discuss the event, showing the reader that the event occurred without writing the whole scene out. This keeps valuable information in the novel and the less interesting information (that doesn't move the plot along) out of the final draft.
However, as much fun as subplots are, keep them to a minimum. Most novels can only support one to three subplots before your main plot just gets completely off-track and nothing is accomplished. It just leaves the whole story unorganized.
Three final words of advice on subplots:
1) They take place at the same time as the main story.
2) They stress and idea or play with an idea from the story to make it stick out, impacting the novel later on or drawing the reader's attention to it.
3) Impacts the end of the novel. (Now, it doesn't have to impact the resolution, but it is usually best if it has an ending that somehow affects the characters, at least a little. Granted, some subplots have more meaning than others, but it's always good to have some impact on the novel.)
That's all for the night!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you purposely create subplots for your writing, or do they just happen naturally as the story goes on?
Sunday, January 24, 2010
Similes Are Like... Similes
Good evening, writers! Penelope Paige here, reporting from her bedroom beside her piles of notes. I've been cramming for midterms all weekend, so this is just a quick post.
New Favorite Word of the Week: supercilious. The single most fun word you will ever say. It basically means haughty or overly proud, patronizing, etc. (I dare you to say superciliously three times fast). Anyway...
Similes. We love 'em and some of us use them all the time in real life. Depending on our personalities, senses of humor, and interests, our comparisons change, right? For example, I was reading a fan fic the other day where a girl compared herself to her crush like a small planet revolving around the sun, itching to get closer. Although I thought this was a great comparison, I didn't really see it fitting to the girl's personality. A teen might not say that a "butterfly flies like a child twirling in its first tutu," but perhaps a mother might, or a ballet instructor. Cliches sometimes fit in with similes, as certain comparisons have been made over and over and OVER again, all in the same taste. Try to make creative, fun similes for your characters. Who knows, you may start using it yourself.
In my current WiP (work in progress), I have a character who is very blunt and arrogant sometimes. He definitely would not be using the butterfly simile above, but he might compare getting a crush to a slap in the face (blunt, frank, just like his personality). Or, he may not use similes at all, and simply say it was "like BAM!" As you can see, he has a very undistinguished vocabulary (Haha).
That's all for now. I have to neglect my writing (once again, sadface) because of my midterms. My midterms are like a large to-do list--I hardly get to cross anything off! (See, that was a good comparison for me, since I always make to-do lists that seem never-ending). Happy comparing!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you use similes in your writing? If so, do you consider your characters when making them?
New Favorite Word of the Week: supercilious. The single most fun word you will ever say. It basically means haughty or overly proud, patronizing, etc. (I dare you to say superciliously three times fast). Anyway...
Similes. We love 'em and some of us use them all the time in real life. Depending on our personalities, senses of humor, and interests, our comparisons change, right? For example, I was reading a fan fic the other day where a girl compared herself to her crush like a small planet revolving around the sun, itching to get closer. Although I thought this was a great comparison, I didn't really see it fitting to the girl's personality. A teen might not say that a "butterfly flies like a child twirling in its first tutu," but perhaps a mother might, or a ballet instructor. Cliches sometimes fit in with similes, as certain comparisons have been made over and over and OVER again, all in the same taste. Try to make creative, fun similes for your characters. Who knows, you may start using it yourself.
In my current WiP (work in progress), I have a character who is very blunt and arrogant sometimes. He definitely would not be using the butterfly simile above, but he might compare getting a crush to a slap in the face (blunt, frank, just like his personality). Or, he may not use similes at all, and simply say it was "like BAM!" As you can see, he has a very undistinguished vocabulary (Haha).
That's all for now. I have to neglect my writing (once again, sadface) because of my midterms. My midterms are like a large to-do list--I hardly get to cross anything off! (See, that was a good comparison for me, since I always make to-do lists that seem never-ending). Happy comparing!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you use similes in your writing? If so, do you consider your characters when making them?
Sunday, January 17, 2010
"Television has proved that people will look at anything rather than each other." - Ann Landers
Good evening, writers! So I'm sick at home with strep throat, but I'm still posting. Want to know why? Because I love you all! So there, feel loved.
Today's topic is TV scripts--more specifically, a pilot. In my Creative Writing class, my assignment was to write up a pilot (first episode) for my very own TV show. I created the plot, the setting, the characters, everything. Just like a novel. However, what makes it different from a novel is the format.
1. Length - Usually it goes about a page a minute, so an hour show would be about 45 pages (since you have to include commercial time). A half an hour show would be about 20 pages (again, leaving time for commercials).
2. Format - The first page of your script is often a title page, consisting of the title of the television show and your name, in a large font (the most popular for TV scripts being Courier). The next page will include a short summary of your story, comparable to what you would find on the inside flap of a hardcover book. The third page will be for brief character descriptions.
3. Characters - Don't have more than 4 or 5--though 5 is stretching it--main characters. It keeps things more simple with less main characters. I generally follow this rule with novels, too. You shouldn't really include physical description unless they have an important feature, like a distinguishable scar, etc.
4. Description - One main difference between novels and scripts is that scripts aren't very descriptive. The scripts don't usually have a lot of description except for the basics. If you're describing a room for the first time, you can simply say, "INT TYLER's KITCHEN - A small, cluttered kitchen with a table, a stove, and not much else." A short, quick description. Remember, the director will work with the script, so it's not really your job to describe everything. While novels should be very descriptive, scripts should be open to the imagination of the director. F
5. Direction and Transitions - Include transitions like "FADE IN" or "FADE OUT" when beginning or ending a scene to describe the lighting/camera. Just include a simple tag. It's not your job to direct the cameras precisely, remember. For direction, again, make it simple and short. You don't have to use adverbs, you don't have to describe it. It's pure "tell," a main opposite from novel writing.
A lot of things you've learned from writing your novel can be put to use here, like character making, but certain things, like "Tell, don't show" are vital to making a true television script. Happy writing!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Have you ever written a TV pilot before? If so, what are you experiences with it? If not, why?
Today's topic is TV scripts--more specifically, a pilot. In my Creative Writing class, my assignment was to write up a pilot (first episode) for my very own TV show. I created the plot, the setting, the characters, everything. Just like a novel. However, what makes it different from a novel is the format.
1. Length - Usually it goes about a page a minute, so an hour show would be about 45 pages (since you have to include commercial time). A half an hour show would be about 20 pages (again, leaving time for commercials).
2. Format - The first page of your script is often a title page, consisting of the title of the television show and your name, in a large font (the most popular for TV scripts being Courier). The next page will include a short summary of your story, comparable to what you would find on the inside flap of a hardcover book. The third page will be for brief character descriptions.
3. Characters - Don't have more than 4 or 5--though 5 is stretching it--main characters. It keeps things more simple with less main characters. I generally follow this rule with novels, too. You shouldn't really include physical description unless they have an important feature, like a distinguishable scar, etc.
4. Description - One main difference between novels and scripts is that scripts aren't very descriptive. The scripts don't usually have a lot of description except for the basics. If you're describing a room for the first time, you can simply say, "INT TYLER's KITCHEN - A small, cluttered kitchen with a table, a stove, and not much else." A short, quick description. Remember, the director will work with the script, so it's not really your job to describe everything. While novels should be very descriptive, scripts should be open to the imagination of the director. F
5. Direction and Transitions - Include transitions like "FADE IN" or "FADE OUT" when beginning or ending a scene to describe the lighting/camera. Just include a simple tag. It's not your job to direct the cameras precisely, remember. For direction, again, make it simple and short. You don't have to use adverbs, you don't have to describe it. It's pure "tell," a main opposite from novel writing.
A lot of things you've learned from writing your novel can be put to use here, like character making, but certain things, like "Tell, don't show" are vital to making a true television script. Happy writing!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Have you ever written a TV pilot before? If so, what are you experiences with it? If not, why?
Sunday, January 10, 2010
You Know What I'm Talking 'bout!
Good evening, writers! I'm here on this lovely evening to discuss the controversy of using pop culture references in writing.
One of the main things we've been discussing on the forum lately is the use of pop culture references. Everyone has their own opinion on the use of pop culture in novels. It's up to you to decide whether or not you want to use them, so I'll give you my pros and cons and you can choose.
Pros
1) Realism and Relate-ability:> For example, when you want a cup of Sprite, you don't say, "Pass the lemon-lime soda." No, you say, "Pass the Sprite." The dialogue flows a little easier and is a little more realistic with the brand name rather than the actual noun. The reader immediately knows what the character is talking about without an explanation. You could make up your own lemon-lime soda brand, like L2L (or some other letter-number combination), but you will then have to explain what the brand name is. Is it popular? Is it a rare soda found in a market at the edge of town? Is it what the cool kids drink?
2) They add to the setting: In different parts of the world, people eat, drink, and use different things. In Japan, people may use chopsticks more and eat more rice and fish than people in the U.S. If you see a woman dressed in a kimono and sandals with socks and using chopsticks, you might be able to assume the story takes place in traditional Japan.
Cons
1) They date your novel: A character using Windows 98 who is obsessed with the band 98 degrees might be very relate-able to anyone in 1990s, but in the 2000s, we laugh and joke about old-fashioned things like Windows 98. If I were to use Windows 7 in a novel, it would only be up-to-date for so long before the novel would seem old and dated. It's only "cool" and "hip" for a limited time.
2) Your novel doesn't seem as original: Sure, having your characters go to Krispy Kreme sounds like fun, but isn't having your characters get their doughnuts from Dori's Donuts much more exciting? In my opinion, having original references make your novel 100% original and just keeps it timeless and enjoyable.
Just remember: less is more. Some references are good, giving the reader a connection to the character, yet some should be avoided.
Well, that's all I have for you today. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Questions: Do you use pop culture references in your novels? Why or why not?
One of the main things we've been discussing on the forum lately is the use of pop culture references. Everyone has their own opinion on the use of pop culture in novels. It's up to you to decide whether or not you want to use them, so I'll give you my pros and cons and you can choose.
Pros
1) Realism and Relate-ability:> For example, when you want a cup of Sprite, you don't say, "Pass the lemon-lime soda." No, you say, "Pass the Sprite." The dialogue flows a little easier and is a little more realistic with the brand name rather than the actual noun. The reader immediately knows what the character is talking about without an explanation. You could make up your own lemon-lime soda brand, like L2L (or some other letter-number combination), but you will then have to explain what the brand name is. Is it popular? Is it a rare soda found in a market at the edge of town? Is it what the cool kids drink?
2) They add to the setting: In different parts of the world, people eat, drink, and use different things. In Japan, people may use chopsticks more and eat more rice and fish than people in the U.S. If you see a woman dressed in a kimono and sandals with socks and using chopsticks, you might be able to assume the story takes place in traditional Japan.
Cons
1) They date your novel: A character using Windows 98 who is obsessed with the band 98 degrees might be very relate-able to anyone in 1990s, but in the 2000s, we laugh and joke about old-fashioned things like Windows 98. If I were to use Windows 7 in a novel, it would only be up-to-date for so long before the novel would seem old and dated. It's only "cool" and "hip" for a limited time.
2) Your novel doesn't seem as original: Sure, having your characters go to Krispy Kreme sounds like fun, but isn't having your characters get their doughnuts from Dori's Donuts much more exciting? In my opinion, having original references make your novel 100% original and just keeps it timeless and enjoyable.
Just remember: less is more. Some references are good, giving the reader a connection to the character, yet some should be avoided.
Well, that's all I have for you today. If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Questions: Do you use pop culture references in your novels? Why or why not?
Sunday, January 3, 2010
Dreams Come True...
Good afternoon, glorious writers! I hope you're awake, because today's topic is dreams.
Dreams. Hmm. Who ever knew a word could hold so much emotion? Relaxation, distress, anger. They can be, well, surreal, or they can be nightmares and hold your deepest worries and stress-producers.
A dream in your novel should hold some sort of premonition or foreshadowing for what's to come, or at least give us the mood. They don't have to be smack-in-the-face obvious, but certain dreams can definitely hint oblivion or that something bad is going to happen.
To get ideas, I usually go on a dream dictionary site and look up some of the words to see their meanings, like I do whenever I'm trying to decipher one of the dreams I've had. I also look around the dream forums on the website, looking at the dreams other people have posted. I've used similar ones, just changing them around to fit my purpose. I sometimes use similar dreams to my own, or completely make them up entirely.
I think dreams are very useful in stories--they're much better than flat out telling--but you have to make them foreshadow something. Foreshadowing is never clear-cut, so don't worry if the dream doesn't shout out its meaning, as dreams never do. Happy sleeping!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you use dreams in your stories? If so, what information do they tell us?
Dreams. Hmm. Who ever knew a word could hold so much emotion? Relaxation, distress, anger. They can be, well, surreal, or they can be nightmares and hold your deepest worries and stress-producers.
A dream in your novel should hold some sort of premonition or foreshadowing for what's to come, or at least give us the mood. They don't have to be smack-in-the-face obvious, but certain dreams can definitely hint oblivion or that something bad is going to happen.
To get ideas, I usually go on a dream dictionary site and look up some of the words to see their meanings, like I do whenever I'm trying to decipher one of the dreams I've had. I also look around the dream forums on the website, looking at the dreams other people have posted. I've used similar ones, just changing them around to fit my purpose. I sometimes use similar dreams to my own, or completely make them up entirely.
I think dreams are very useful in stories--they're much better than flat out telling--but you have to make them foreshadow something. Foreshadowing is never clear-cut, so don't worry if the dream doesn't shout out its meaning, as dreams never do. Happy sleeping!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you use dreams in your stories? If so, what information do they tell us?
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