Good afternoon, fellow writers! Just to let you know, the title is a lyric from the song "Girls Do What They Want" by the Maine. Good song.
Before we move on to today's topic, let's begin with the word of the day. This week's is evanescent. I used to love the band, Evanescence, and I finally understand what their name means! Evanescent is an adjective meaning to vanish like vapor. It comes from the Latin verb "evanescere," which means "to evaporate" or "to vanish." Exciting, isn't it?
This week's topic is, not the writers, but the readers. I was reading something online awhile back about boys' and girls' preferences on what they want in a novel, the ages ranging around middle grade and early high school.
Here are a few interesting points I've discovered:
- Girls are more active readers than boys
- Girls prefer to read about girl protagonists (but will read about boy protagonists), but boys usually stick to strictly boy protagonists
- Both boys and girls want a character to root for and relate to, yet boys look for sarcastic characters with a sense of humor, while girls prefer a smart, reliable protagonist.
- Girls want a character who has to surpass real life problems, like tough decisions and friendship, but boys want a competitive, funny outlook for their character.
- Girls seem to enjoy stories with more emotional depth and creative solutions to problems, while boys prefer a clear-cut good vs. evil plot. Boys prefer an action-adventure novel, while girls prefer novels relating to real life.
Boys and girls, for the most part, have very different genres and storyline they like to read, so writing for both genders can be difficult. If you want to try to write a unisex novel, try:
- Creating characters they can relate to (ex. a similar age, similar challenges and issues for that age)
- A unique storyline (but whether it's fantasy or realistic fiction, still include experiences the reader can relate to. An adrenaline rush can be achieved by defeating the dragon or doing well in a high school recital.)
- It's easier to get a girl to read about a boy protagonist, but if you really want a girl protagonist for both genders, the girl has to be adventurous and have strong, realistic goals that a boy or girl could have. (A boy best friend can help, too).
That's all for today, faithful readers! If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: What do you think about writing novels for both genders? Have you ever done it before? Or do you believe that most novels are easily fit for both boys and girls?
Check back tomorrow (Monday? A post? I know!) for a fun announcement. I'll give you a hint: It includes this blog, me, and a shiny award ;)
A writing blog to keep aspiring writers inspired and motivated.
Showing posts with label Plot. Show all posts
Showing posts with label Plot. Show all posts
Sunday, February 21, 2010
Sunday, January 31, 2010
It's a Plot...Within a Plot!
Good evening, fellow writers!
New favorite word of the week: triskaidekaphobia. Try to say that three times fast. In fact, try to say that at all. It's pronounced "triss-kye-dek-uh-FOH-bee-uh." Basically, it's the fear of the number thirteen (which, in some cultures, is considered an unlucky number). It's hard to say where 13's bad reputation came from. You can look to Christianity, Hindu beliefs, Norse mythology or superstition, but it's hard to tell for sure.
Anyway, today's topic is subplots! That's right, those extra smaller story lines that keep the reader, reading (besides the 3-D characters and awesome main plot, obviously). Maybe throughout the novel, your protagonist has to figure out who is stealing his or her shampoo. It could be the antagonist, or it could be someone else, who knows? Maybe at some point in the novel, a robbery takes place and your character has to prove himself innocent at times throughout the novel. Little events like that really make the novel, because, if you think about it, you life doesn't only have one main story in it, right?
They can connect to the main plot, helping the reader realize something subtly without having it thrown in their face. It might be a thread linking to a future event. Their impact can be indirect, or it can smack your character in the face (figuratively, but if your subplot involves literal smacking, that's okay too).
The subplot(s) should have some reason and connection to the main story. It can't just be for comic relief or to use up the previously-deleted scenes that you loved so much but didn't fit in before.
Subplots should take fewer pages than the main plot, and many are on-going, though some are short and can occur anywhere in the story. But one main difference between subplots and plots is that in subplots, not all of the events have to occur "on stage," if you will. Some of the events can happen "behind the scenes," and even if they aren't written in the final draft, the characters can still discuss the event, showing the reader that the event occurred without writing the whole scene out. This keeps valuable information in the novel and the less interesting information (that doesn't move the plot along) out of the final draft.
However, as much fun as subplots are, keep them to a minimum. Most novels can only support one to three subplots before your main plot just gets completely off-track and nothing is accomplished. It just leaves the whole story unorganized.
Three final words of advice on subplots:
1) They take place at the same time as the main story.
2) They stress and idea or play with an idea from the story to make it stick out, impacting the novel later on or drawing the reader's attention to it.
3) Impacts the end of the novel. (Now, it doesn't have to impact the resolution, but it is usually best if it has an ending that somehow affects the characters, at least a little. Granted, some subplots have more meaning than others, but it's always good to have some impact on the novel.)
That's all for the night!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you purposely create subplots for your writing, or do they just happen naturally as the story goes on?
New favorite word of the week: triskaidekaphobia. Try to say that three times fast. In fact, try to say that at all. It's pronounced "triss-kye-dek-uh-FOH-bee-uh." Basically, it's the fear of the number thirteen (which, in some cultures, is considered an unlucky number). It's hard to say where 13's bad reputation came from. You can look to Christianity, Hindu beliefs, Norse mythology or superstition, but it's hard to tell for sure.
Anyway, today's topic is subplots! That's right, those extra smaller story lines that keep the reader, reading (besides the 3-D characters and awesome main plot, obviously). Maybe throughout the novel, your protagonist has to figure out who is stealing his or her shampoo. It could be the antagonist, or it could be someone else, who knows? Maybe at some point in the novel, a robbery takes place and your character has to prove himself innocent at times throughout the novel. Little events like that really make the novel, because, if you think about it, you life doesn't only have one main story in it, right?
They can connect to the main plot, helping the reader realize something subtly without having it thrown in their face. It might be a thread linking to a future event. Their impact can be indirect, or it can smack your character in the face (figuratively, but if your subplot involves literal smacking, that's okay too).
The subplot(s) should have some reason and connection to the main story. It can't just be for comic relief or to use up the previously-deleted scenes that you loved so much but didn't fit in before.
Subplots should take fewer pages than the main plot, and many are on-going, though some are short and can occur anywhere in the story. But one main difference between subplots and plots is that in subplots, not all of the events have to occur "on stage," if you will. Some of the events can happen "behind the scenes," and even if they aren't written in the final draft, the characters can still discuss the event, showing the reader that the event occurred without writing the whole scene out. This keeps valuable information in the novel and the less interesting information (that doesn't move the plot along) out of the final draft.
However, as much fun as subplots are, keep them to a minimum. Most novels can only support one to three subplots before your main plot just gets completely off-track and nothing is accomplished. It just leaves the whole story unorganized.
Three final words of advice on subplots:
1) They take place at the same time as the main story.
2) They stress and idea or play with an idea from the story to make it stick out, impacting the novel later on or drawing the reader's attention to it.
3) Impacts the end of the novel. (Now, it doesn't have to impact the resolution, but it is usually best if it has an ending that somehow affects the characters, at least a little. Granted, some subplots have more meaning than others, but it's always good to have some impact on the novel.)
That's all for the night!
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Do you purposely create subplots for your writing, or do they just happen naturally as the story goes on?
Saturday, November 14, 2009
Retrace Your Steps--Don't Get Lost!
Good evening, writers! Picture this event in your head: You write a great story with a flowing storyline and a solid plot, then suddenly--BAM--your manuscript is read and pulled apart, the beta (or whomever) shedding light to the small plot hole that ruins your story. What you have to do then is go back and retrace your steps to change the plot while still producing the main result. Ever experience that? I have. I'm sure many of you have, too. That's why I'm going to share my advice on retracing your steps to edit your plot. Don't give up or get lost! If you don't go back and change it, you'll never finish it! :[ All that effort, forever wasted. You don't want that, do you? I'll provide some tips, plus some reasons to keep going.
1) Know how the story is going to end. Having a clear idea of how the story will end definitely will help you decide how to advance. If your character has to get from A to B, it helps narrow down the options.
2) Use the experience to your knowledge. The second time around, you know what went wrong and what went right, so not as much experimentation is needed. You have better knowledge of grammar than before (I would hope) and you know which things don't work in certain situations. It will be faster this time around.
3) You already know your characters! You know your characters a lot better since you have spent more time with them. You have their catchphrases and behaviors, plus you know how they would react in certain situations. This will help you think "Hmm, if So-and-So did this, then this would happen." Knowing you characters will help you greatly.
Plus, the best thing is, you're not starting all over. You have the majority of the story in your mind, from the ending to the characters to the setting. Even if it's a major change, you still have most of the learning already done. See? It won't be so hard. You can do it!
P.S. The Quill and Ink Forums (a forum I moderate) is having a Thanksgiving writing contest. Check out the forum for more details. In one contest, we are giving out Chris Baty's [i]No Plot? No Problem! A Low-Stress, High Velocity Guide to Writing a Novel in Thirty Days[/i], so check out the blog for more details.
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Have you ever hit a plot snag in your novel? Found a plot bunny hiding in the bushes? How did you fix it?
1) Know how the story is going to end. Having a clear idea of how the story will end definitely will help you decide how to advance. If your character has to get from A to B, it helps narrow down the options.
2) Use the experience to your knowledge. The second time around, you know what went wrong and what went right, so not as much experimentation is needed. You have better knowledge of grammar than before (I would hope) and you know which things don't work in certain situations. It will be faster this time around.
3) You already know your characters! You know your characters a lot better since you have spent more time with them. You have their catchphrases and behaviors, plus you know how they would react in certain situations. This will help you think "Hmm, if So-and-So did this, then this would happen." Knowing you characters will help you greatly.
Plus, the best thing is, you're not starting all over. You have the majority of the story in your mind, from the ending to the characters to the setting. Even if it's a major change, you still have most of the learning already done. See? It won't be so hard. You can do it!
P.S. The Quill and Ink Forums (a forum I moderate) is having a Thanksgiving writing contest. Check out the forum for more details. In one contest, we are giving out Chris Baty's [i]No Plot? No Problem! A Low-Stress, High Velocity Guide to Writing a Novel in Thirty Days[/i], so check out the blog for more details.
If you have any questions or comments, feel free to email me at penelopepaige@rocketmail.com. Time to go sharpen that pencil...
Question: Have you ever hit a plot snag in your novel? Found a plot bunny hiding in the bushes? How did you fix it?
Subscribe to:
Posts (Atom)